How to get an AI image prompt from a picture

Create a 4:3 landscape natural product photograph of one cobalt-blue lidded handled cup on pale oak in front of an off-white plaster wall. Reproduce a moderately broad cylindrical body, not a slender thermos.

FIRST preserve this full-canvas size plan. The COMPLETE mug, including its lid and handle, fits from about 32% to 73% across and 13% to 84% down; keep oak visible throughout the lower 16%. The blue cylindrical BODY alone fits 32-61% across and 22-84% down. Its physical height is about 1.6 times its width. The body has almost parallel sides with a slight taper and a softly rounded base. Its base center is(45%,83%); do not let it drop toward the bottom edge. The black lid occupies 32-61% across and 14-22% down, with a small raised drinking flap reaching 13% down at upper-right. A thick blue D-shaped handle occupies 60-73% across and 28-64% down, showing the wall through its open center. One blank horizontal cream oval spans 36-55% across and 36-53% down, centered at(46%,44.5%). These are approximate invisible instructions, never printed annotations.

The blue surface is matte and finely pebbled, with restrained cobalt shading. The oval is warm ivory with tiny natural speckles and a thin brown edge. Keep its horizontal ellipse shape and leave it entirely blank. The handle has rounded edges and a darker interior. Show the black lid slightly from above: a low stepped outer rim, dark oval recess and one irregular upturned drinking flap on its viewer-right, attached to the fitted cap.

The tabletop/wall boundary slopes gently from 54% down at the left edge to 64% down at the right. Pale honey oak fills the foreground with visible grain and a few knots. The wall is simply uneven off-white plaster. Only broad blurred diagonal gray LIGHT SHADOWS cross its left side; no visible plant, branch, window frame or other object is present there. Soft upper-left daylight brightens the mug's left face and casts its shadow rightward across the oak. Preserve ordinary tactile photography, natural subdued color and a mildly soft background.

Keep the inventory to this one mug, table, wall and their light/shadows. Avoid foliage, flowers, additional props, hands, steam, a saucer, writing or logos, a circular badge, a left handle, shiny metal lids, glossy plastic-looking blue, an elongated body, a base below 84%, a tighter crop, dramatic lighting or coordinate labels.

Generate a 4:5 portrait PNG of a plain flat event flyer by following the self-contained vector drawing specification below. This is a direct digital layout, not a redesigned poster or a photograph of paper. Preserve the specified text positions, normal Arial-like glyph proportions and uniform solid fills. There are no gradients, lighting, textures, shadows, bevels or perspective.

Use a 1200 by 1500 coordinate space for the whole image. The code specifies invisible drawing instructions; do not show code, XML, coordinate labels or color labels in the result. Render only its visible shapes and exactly six text regions. All lettering uses plain non-condensed sans-serif forms. If font availability differs, keep the visible glyph bounds and widths: the headline is approximately 652 pixels wide and 71 pixels high, rather than an oversized condensed title. The two subtitle lines together occupy about 434 by 77 pixels; the bold day/time line about 503 by 35; the venue about 263 by 33; the white button lettering about 297 by 35; the registration line about 385 by 29.

Keep the positions independent: do not shift the date or venue down to make a new text flow. The orange circle is clipped only slightly at the right canvas edge. The teal square, lavender rounded square and navy X remain separate, exactly ordered on the right. The bottom rule stays above the lower navy band.

<svg xmlns="http://www.w 3.org/2000/svg" width="1200" height="1500" viewBox="0 0 1200 1500">
<rect width="1200" height="1500" fill="#F4EFE5"/>
<rect x="0" y="0" width="1200" height="83" fill="#10263B"/>
<rect x="0" y="1414" width="1200" height="86" fill="#10263B"/>
<circle cx="1048" cy="288" r="168" fill="#EF6A47"/>
<rect x="915" y="492" width="196" height="200" fill="#55B8B1"/>
<rect x="840" y="730" width="271" height="282" rx="35" fill="#D7C9FF"/>
<path d="M 882 772 L 1061 951 M 1061 772 L 882 951" fill="none" stroke="#10263B" stroke-width="14"/>
<rect x="100" y="1030" width="561" height="130" rx="65" fill="#10263B"/>
<path d="M 100 1352 L 1101 1352" fill="none" stroke="#BFAC8E" stroke-width="5"/>
<g font-family="Arial, Helvetica, sans-serif" fill="#10263B">
<text x="100" y="258" font-size="96" font-weight="700">OPEN STUDIO</text>
<text x="100" y="510" font-size="42">Watch a live print demo</text>
<text x="100" y="556" font-size="42">and meet the makers.</text>
<text x="100" y="733" font-size="48" font-weight="700">SATURDAY 11:00-16:00</text>
<text x="100" y="832" font-size="48">RIVER HALL</text>
<text x="100" y="1270" font-size="32">Register: northline.example</text>
</g>
<text x="380.5" y="1120" text-anchor="middle" font-family="Arial, Helvetica, sans-serif" font-size="48" font-weight="700" fill="#FFFFFF">FREE ENTRY</text>
</svg>

Preserve exact capitalization, punctuation, the plain hyphen in 11:00-16:00 and the two subtitle lines. Avoid enlarged lettering, condensed type, reflowed blocks, any added words, photographic effects, color gradients, texture, a QR code, logo or visible drawing code.

Create a 2:3 portrait stylized 3D character sheet with three separate lavender studio scenes. FIRST fix the three horizontal scene slots on the full page: TOP0-30.1%, MIDDLE30.1-69%, BOTTOM69-100%. The top and bottom slots are almost equal in height; the middle is only about 1.3 times either one. Do not compress the top slot or let the standing pose determine the divider positions. Two thin white lines span the whole width at 30.1% and 69% down, around rows 462 and 1060 of a 1024x 1536 image.

Use the same sculpted adult man in every slot: tan skin, angular jaw, thick dark eyebrows, a predominantly pale silver-gray swept quiff with short darker sides, charcoal denim jacket with rolled sleeves and chest pockets, loose charcoal trousers, burnt-orange knitted fringed scarf and separated chunky black lace-up boots. Use sculpted animated-film-like features, cloth creases and woven scarf texture. All scenes have soft lavender wall and floor, gentle warm upper-left light and contact shadows.

Every scene includes a matte cobalt-blue horizontal beam resting on two chunky block legs with diagonal inner cutouts. No higher backrest or extra furniture parts. Preserve the furniture's deep blue against the lavender surroundings.

The following positions are LOCAL to each slot, measured from that slot's top; do not mistake them for whole-page positions. Nothing crosses a divider. In every slot include the entire figure and both boots, leaving a little floor beneath.

TOP LOCAL: face centered 44% across/18% down this slot; hands near 45% across/57% down; boot soles near 95% down. The man sits leaning forward, knees spread, both elbows on his knees and hands meeting between them with one wrist over the other. The stern face looks to the picture's LEFT. Scarf hangs between the legs. Beam extends 17-82% across, top around 53% of this slot, leg bases 90%. This seated figure should occupy nearly the complete slot height, without squeezing the slot shorter.

MIDDLE LOCAL: face 49% across/11% down this slot; boot soles 97% down. He stands wide-legged. The hand on the LEFT side of the picture goes into the trouser pocket near 42% across/38% down this slot; the hand on the RIGHT grips the scarf at chest near 52% across/26% down. Head turns firmly toward picture-RIGHT. The blue beam is behind the legs, top 67% down this slot, bases 90%.

BOTTOM LOCAL: face 56% across/15% down this slot; boot soles 93% down. He sits relaxed, legs apart, picture-left hand on the knee near 43% across/48% down; picture-right forearm along the beam top, hand hanging near 66% across/52% down. His head tilts up toward picture-LEFT with a small amused smile. Beam top 42% of this slot, bases 81%; scarf hangs down his front and over the seat.

Cross-check the full-page face centers near(44%,5.5%),(49%,34.5%),(56%,73.5%). All percentages and labels are invisible instructions. Avoid unequal top/bottom slot heights, shifted dividers, cropped feet, extra people, swapped hands, fused boots, dark hair replacing silver, a high-backed bench or printed numbers/text.

Create a 4:5 vertical natural head-and-upper-body photograph of one adult long-haired black-and-white tuxedo cat, upright, front-facing at eye level. Include both entire pointed ears and the long white chest bib continuing out through the bottom.

Full-canvas layout has priority. Protect an empty warm gray-beige wall band from 0% to 9% down: no ear or hair enters it. Ear tips begin near 9-10% down. The cat begins near 9% down and the chest continues through the cropped bottom at 100%. The centered cheek fur spans about three quarters of the width. The visible background contains only the wall, without props. Viewer-left eye center is near 40% across/36% down, viewer-right eye near 62% across/36% down, nose near 50% across/46% down. The dusty-rose COLLAR STRIP ITSELF lies within 61-64% down; this range describes its entire visible band, not its center. Keep the collar tight and high around the neck, partly buried in fur. The ENTIRE single small oval tag occupies 65-73% down, with its center near 55% across/69-70% down. The tag hangs directly below the collar by one very short round loop, no long gap or chain. Its top begins immediately below the collar. Leave the long white bib below the tag through the lower quarter of the image. Positions refer to the full frame, are approximate, and must not appear as annotations.

Viewer-left eye is muted amber-gold; viewer-right eye pale gray-green, naturally sized with narrow vertical dark pupils and small reflections. Viewer-left pointed ear has one visible small irregular jagged notch at its upper tip; viewer-right ear is intact. Fine gray inner-ear hairs remain below the protected wall band. Black forehead and cheeks frame a narrow uneven white blaze between the eyes, widening into the white muzzle. The nose is pale dusty pink around a dark charcoal lower-central patch, leaving pink above and at both sides. A separate small vertical black chin patch sits below the mouth. Long fine white whiskers curve unevenly outward. The broad white chest has long uneven downward tufts between dark shoulders.

Use one blank matte-silver oval tag with no engraving. Gentle diffuse upper-left light creates soft shadows, textured black fur, subdued ivory whites and realistic flyaway hairs. The background is a softly blurred uneven warm gray-beige plaster wall. Preserve low saturation, restrained contrast and an ordinary tactile photographic appearance. Avoid clipped ears, a tighter face crop, giant or matching-color eyes, a collar low on the chest, long attachment links, low dangling jewelry, plastic fur, visible paws, extra pets, bows, dramatic lighting, lettering or coordinate labels.

Create a 2:3 portrait watercolor-and-fine-ink waterfront-city illustration on warm ivory textured paper.

PRIORITY 1 — full-sheet layout. Keep the upper sixth (0-16% down) completely blank ivory; no wash or spatter enters it. The irregular painted patch fits approximately 8-94% across and 16-85% down, leaving paper below. The low waterfront bank, bridge deck and feet sit at 65% down. River fills the lower fifth, from 65% to 85%, fading into a ragged edge. Caption "ROTTERDAM" is small, thin, widely spaced uppercase, centered at 88% down.

Preserve the left-to-right order: low blocks near 12% across; tiny cream-gold sun centered (20%,62%) and half-hidden among roofs just above the bank; a narrow rectangular building centered 31% across, occupying roughly 49-65% down with a short antenna tip at 48%; two smaller rectangular buildings near 40% and 45%; a small rounded upright building near 60%; the bridge pylon near 73%, with its tip at 32% down and feet at 65% down. The left rectangular building is only one sixth of the page high, HALF the pylon's height above the bank. It stays one third across, not at the left border. These approximate positions refer to the FULL paper, not the inset painting, and must not be drawn as labels.

PRIORITY 2 — irregular shapes and connections. The right pylon is an angular thin blade with two unequal cap points, a shallow notch, and a short dark-blue segment that folds right then angles back around 36-39% down, forming an elbow. A broad dark blue-gray left leg slopes down-left to (66%,65%), and a narrower pale warm-gray right leg slopes down-right to (81%,65%), leaving a long thin triangular gap. Keep the BROAD LEFT leg itself DARK BLUE-GRAY from its upper bend to its left foot; keep the NARROW RIGHT leg itself PALE WARM-GRAY. These are different colored structural parts, not lighting effects. The cream/gold wash behind them must not turn the broad left leg white or beige. Do not exchange the leg colors. Fine cables fan down-left to a low gently curving deck, with two heavier stays to the right. A small dark-blue diagonally slatted structure attaches beside and overlaps the right foot at 74-93% across and 63-69% down, at the bank's depth; clear river remains below it. Loosely suggest the buildings with delicate gray ink and vertical facade marks. Keep the tiny partly visible sun, short rays and broken pale-gold river reflection.

PRIORITY 3 — painted appearance. Broad translucent granular blue-gray and muted lavender pigment blooms above and at right diffuse into pale cream and diluted gold at lower-left. Use irregular abstract blotches, pale gaps and paper grain, not repeated literal cloud bands. Small gray-blue ripples and creamy gold patches dissolve into the river edge near 85% down. Keep contrast subdued, ink thin, borders feathered and all pigment within the painting's bounds. Avoid orange-red sunsets, dense architectural detail, oversized buildings, an elevated large sun, a straight generic pylon, detached foreground fencing, hard rectangular frames, full-bleed paint, extra words or coordinate labels.