Photo and Mural Portrait Prompt: Put Your Illustrated Self on the Wall

Image 1 is ONLY a head-and-shoulders reference of a fictional adult woman; it contains no body pose, lower clothing or street. Create one new vertical 4:5 photographic street scene with this woman full body in the RIGHT third, standing naturally beside a wide warm ochre plaster wall, one hand in a trouser pocket, wearing the teal crew-neck top visible in the reference, simple cream wide-leg trousers and dark shoes. The trousers, shoes, standing pose and street are new creative choices; do not imply they came from the source. Preserve visible facial anchors from Image 1 in the photographic foreground: short dark pixie with pale silver streak at front, tiny mark below her left eye, natural eyebrow/eye/nose/mouth relationships, warm olive skin, slight closed-mouth smile. Behind her, paint a MUCH LARGER original illustrated head-and-shoulders portrait of this same woman directly onto the ochre plaster wall, about three times the foreground head size, echoing the pixie silver streak, mole, teal shirt, expression and slight head angle. Mural style: matte teal, dark ink and warm cream hand-painted shapes with subtle rough edges. Let plaster grain and hairline cracks show through pigment; artwork follows the wall's plane, not a floating poster. Keep foreground completely photographic with natural daylight and believable shadows. One real person and one painted version; no other people, text, lettering, logos, watermarks, collage frame or second mural. Single finished image.

Use case: identity-preserve. Asset type: edited after image for a Grow AI Skills original before-and-after article. Input image: Image 1 is the edit reference, an original synthetic full-body indoor photo of a fictional adult woman seated on a wooden chair. Create ONE new vertical 4:5 photographic outdoor scene. The same woman now STANDS in the RIGHT third on a quiet stone-paved street beside a broad light-gray weathered stucco wall, facing the camera with her left hand touching the open collar of her terracotta corduroy overshirt and her right arm relaxed. This standing pose, street, daylight and wall are NEW creative choices; do not preserve the chair or apartment. Carry over visible anchors from Image 1 in the photographic foreground: short natural curls, small silver hoop earrings, narrow pale scar above her right eyebrow, warm brown skin, gentle closed-mouth expression, terracotta corduroy overshirt over a white top, dark indigo straight-leg jeans and black low shoes. Keep her body build recognizable without claiming pixel-identical identity. Paint a MUCH LARGER original illustrated waist-up portrait of this same woman directly on the stucco wall to her left, head about 2.5 times the foreground head size. Echo the curls, pale brow scar, silver hoops, terracotta overshirt, white neckline and the new collar-touch gesture. Mural medium: hand-painted matte terracotta, charcoal and cream shapes with loose brush edges, clearly an illustration rather than a second photographic woman. Make plaster grain and fine cracks visible THROUGH the pigment and keep all paint on the wall plane, away from the person, pavement and wall boundary. Keep foreground photographic, naturally lit, with believable grounding and shadows. One photographic foreground figure, one wall mural, no chair, room, extra people, lettering, logo, watermark, floating poster or collage.

Edit target: Image 1, the original synthetic street photo. Change only the currently blank red-brick wall on the left: add a huge original hand-painted mural portrait of the SAME woman already standing in the right third. Mural head and shoulders approximately 2.2 times the foreground woman's head and shoulder scale, entirely on the brick wall plane, occupying most of the empty left wall. The mural is deliberately illustrated with bold simplified cobalt-blue jacket shapes, rust-red accents from her trousers, dark curly hair silhouette, warm brown face, and a small cheek freckle. Echo her slight head tilt and quiet expression; use different medium, not a duplicate photorealistic person. Let mortar lines, chipped paint, uneven pigment, and brick relief show through all painted areas, with realistic wall perspective receding down the alley. Preserve the foreground woman exactly as the source photo: same face, features, freckles, hair, pose, clothing, proportions, light, shadow, shoes, crop. Preserve alley, pavement, camera angle, bricks, daylight. One actual person and one painted portrait only. No floating poster, framed print, second person, text, logos, graffiti tags, watermarks, or new props. Deliver a single finished image, not a collage.

Edit Image 1 only by painting a large original illustration directly onto the previously blank pale-blue concrete wall to the right of the man. The foreground adult man must remain photographic and unchanged: same recognizable face, short hair, round clear glasses, slight smile, exact folded-arm-and-glasses-touching pose, ochre chore jacket, navy shirt, charcoal trousers, tan shoes, framing and daylight. The mural is a monumental waist-up portrait of THIS SAME man, about three times his head size, echoing his clear round glasses, raised hand, folded arm and ochre jacket. Make the mural visually distinct from the photograph: simplified two-tone navy-and-ochre screen-print shapes, strong imperfect painted edges, sparse linework, blue wall visible as negative space. Keep concrete grain, hairline cracks and seams visible THROUGH the pigment; align it to the wall plane and perspective. Keep the existing street, pavement, shadows and wall geometry. One real foreground man and one wall painting only; no poster, canvas, frame, extra person, text, numbers, logos, watermark, or graffiti tags. Single finished image, not a comparison.

Use case: precise-object-edit. Asset type: repaired editorial after image for a photo-and-mural portrait case. Input Image 1 is the edit target. Repair ONLY the lower-right boundary error: the ochre-and-navy painted mural sleeve currently extends off the pale-blue concrete wall and onto the gray sidewalk at the bottom right. Remove all mural pigment from the sidewalk and reconstruct the same unpainted gray pavement and wall-to-pavement seam visible in the original scene. Let the mural end naturally on the concrete wall plane above that seam; retain its rough painted edge on the wall. Do not move, restyle, resize or replace the photographic man, his glasses, hands, jacket, trousers, shoes, face, pose, light, shadow, camera framing, street, wall texture, or the rest of the mural including its glasses, face and folded-arm gesture. No new objects, lettering, watermarks, collage or second person. Return one repaired photograph.

Edit target Image 1, a synthetic street photograph. Add a large hand-painted mural directly onto the EMPTY LEFT TWO THIRDS of the metal roll-down shutter. The mural depicts the SAME woman standing at right, enlarged from shoulders upward about 2.5 times her foreground head size. Match visible anchors: blunt chin-length black bob, same asymmetrical closed-mouth smile, emerald green coat lapels, black inner shirt, one hand touching the lapel. Interpret the mural as graphic cut-paper-inspired street illustration with broad matte jade, black and muted cream painted shapes, a few hand-brushed contours, enough simplification to make it visibly a painting, not a second photographed woman. Paint must FOLLOW the shutter surface: horizontal slat ridges and shallow dents remain visible through the pigment; color breaks naturally at slat grooves, with no floating edge or flat pasted rectangle. Preserve the real foreground woman exactly: facial proportions, hair, expression, pose, coat, trousers, boots, size and position. Preserve all original shutter geometry, surroundings, wet pavement, overcast light, framing and shadows. One real woman and one painted mural portrait only. No new people, lettering, logos, signs, watermarks, frames, posters or collage layout. Single edited photograph.